Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead.
Put crepe bows round the white necks of public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West.
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever; I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.
Şiirin Türkçe çevirisi
Poem Title: Funeral Blues Author: W. H. Auden
Funeral Blues is a lyrical elegy that employs vivid, almost cinematic imagery to convey the profound sense of loss experienced after the death of a loved one. The poem is structured in four stanzas, each building on the previous to move from external, almost theatrical instructions to an intimate, personal lament.
Structure and Formal Features
- Stanza Length: The poem consists of four quatrains, each with a regular ABAB rhyme scheme.
- Meter: Auden uses iambic pentameter in most lines, lending the poem a rhythmic steadiness that contrasts with its emotional turbulence.
- Repetition: The repeated imperative “Stop,” “Prevent,” and “Silence” in the first stanza creates a sense of urgency, as if the world itself must be paused to honor the deceased.
Key Themes and Motifs
- The World Stopped: The poem begins with a call to halt all everyday life—clocks, phones, music—to mark the significance of death. This creates a universal atmosphere of mourning.
- Public vs. Private Grief: The first stanza is grand and public, while the second turns inward, revealing how the loss has pierced every direction of the speaker’s life (“North, South, East, West”).
- Destruction of Light and Sound: The final stanza’s commands to “put out the stars,” “pack up the moon,” and “pour away the ocean” suggest a world that has lost its illumination, reflecting the speaker’s internal darkness.
Imagery and Symbolism
- Technological Silence: “Stop all the clocks, cut off the telephone” juxtaposes modern conveniences with a timeless mourning.
- Animals and Nature: The “dog,” the “doves,” even the “traffic policemen” become symbols of communal grief.
- Celestial Bodies: Stars, moon, and sun are not merely environmental elements; they represent hope, guidance, and continuity—all of which the speaker feels have been extinguished.
Emotional Arc
- Collective Grief: The poem starts with a call to the entire world.
- Personal Loss: The speaker’s intimate relationship with the deceased is expressed through the compass directions and everyday routines.
- Despair: The final stanza’s catastrophic imagery signifies the speaker’s belief that nothing will be salvaged or restored.
Conclusion
“Funeral Blues” masterfully combines formal poetic techniques with raw, personal emotion. Auden’s use of imperative language and striking imagery invites readers to feel the weight of loss, both on an individual level and as a universal human experience.
More poems by Wystan Hugh Auden
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