I'm writing you now just to see if you're better
New York is cold but I like where I'm living
There's music on Clinton Street all thru the evening.
I hear that you're building your little house deep in the desert
You're living for nothing now I hope you're keeping some kind of a record
Yes and Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Did you ever go clear?
The last time we saw you, you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
You came home alone without Lili Marlene.
And you treated my woman to flake of your life
And when she came back she was nobody's wife
Well, I see you there with a rose in your teeth
One more thin gypsy thief
Well, I see Jane's awake
She sends her regards.
And what can I tell you my brother, my killer
What can I possiby say
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way.
If you ever come by here for Jane or for me
Well, your enemie is sleeping and your woman is free
Yes, and thanks for the trouble you took from her eyes
I thought it was there for good so I never tried.
And Jane came by with a lock of you hair
She said that you gave it to her
That night that you planned to go clear
Sincerely, L. Cohen.
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**Poetry Analysis – “Famous Blue Raincoat” by Leonard Cohen**
1. Tone and Mood
- The poem carries a conversational, almost confessional tone. The narrator writes in a casual, almost diary‑like style, addressing an unnamed recipient directly.
- There is a pervasive sense of melancholy and nostalgia. The mention of “four in the morning” and “end of December” evokes a cold, quiet winter night that heightens introspection.
- Despite the sadness, there is an undercurrent of acceptance and even a subtle hopefulness, especially in lines that speak of forgiveness and moving on.
2. Narrative Structure
- The poem is loosely episodic, moving from one memory or observation to another. It does not follow a strict linear timeline but rather jumps between scenes (e.g., the narrator’s city, the recipient’s desert house, a meeting with Jane).
- Repetition of certain motifs (Jane’s lock of hair, the “blue raincoat,” and the recurring question “Did you ever go clear?”) creates a refrain that anchors the shifting scenes.
- The final lines, “Sincerely, L. Cohen,” serve as a meta‑signature that blurs the boundary between author and narrator, adding authenticity.
3. Imagery & Symbolism
- Blue raincoat: Symbolizes protection, melancholy, and perhaps a sense of identity. The coat’s damage (“torn at the shoulder”) suggests vulnerability.
- Desert house & “little house deep in the desert”: evokes isolation, solitude, and a retreat from society.
- “Clinton Street” and “music on Clinton Street”: Ground the poem in a specific urban setting, hinting at cultural richness.
- “Lili Marlene”: A wartime song; its mention implies longing for a past love or lost innocence.
- “Rose in your teeth” & “thin gypsy thief”: These images suggest a flirtatious, perhaps fleeting romance.
4. Themes
- Memory & Regret: The narrator reflects on past interactions, hinting at unresolved feelings.
- Identity & Transformation: The “going clear” question suggests a desire for personal change or escape.
- Love & Loss: Jane’s presence and the mention of a woman “nobody’s wife” underline complex relationships.
- Forgiveness & Acceptance: Lines like “I guess I forgive you” show a willingness to let go.
5. Poetic Devices
- Repetition & refrain: The repeated “Yes and Jane came by…” gives the poem a rhythmic quality.
- Allusion: References to “Lili Marlene” and possibly “Clinton Street” allude to broader cultural contexts.
- Colloquial diction: The use of everyday language (“I’m writing you now just to see if you’re better”) makes the poem accessible and intimate.
- Ambiguity: The poem’s narrative jumps create a dream‑like quality, leaving interpretation open.
6. Conclusion
The poem is a mosaic of memories, feelings, and images that weave together to portray a complex relationship marked by longing, regret, and eventual acceptance. Leonard Cohen’s use of everyday language combined with evocative symbols allows readers to feel both the personal intimacy and the universal themes of love, loss, and transformation.
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