I sit with my cup of coffee,
My cognac and my book,
Turning over deep thoughts.
The wind blows through
The pages of my book
With the smell of grass.
Riffling the pages quickly,
Muddling the letters
In front of my eyes,
Who knows how many
Thousands of words
Both small and great.
Are lost in the wind.
I hastily close the cover,
Pressing it firm with my hand;
Peeking, see all is in order
In a lonely September garden,
With a cup of coffee,
A book and a cognac.
Translation : Angela ROOME
Title & Author: Coffee, Cognac And A Book by Metin Altıok
Form & Structure: The poem is written in free verse, with no regular meter or rhyme scheme. Its lines vary in length and are grouped into three stanzas that mirror each other thematically: the first stanza sets the scene, the second delves into the act of reading and the fleeting nature of words, and the third returns to a brief closure that echoes the opening.
Imagery & Sensory Detail: Altıok uses concrete sensory images—coffee steam, the scent of grass, the feel of pages—to create a vivid, almost tangible setting. The “lonely September garden” provides both a temporal and emotional anchor: September suggests transition, melancholy, and the end of summer.
Themes: The poem explores the relationship between solitude, literature, and drink as a means of coping with the passage of time. The coffee and cognac act as comforting companions, while the book represents intellectual engagement. Yet there is an undercurrent of impermanence: “Are lost in the wind” hints at how fleeting thoughts and words can be, especially when they are carried away by nature.
Language & Tone: The diction is simple and direct, which heightens the sense of intimacy. The repetition of “In a lonely September garden” at both the beginning and end creates a cyclical feel, suggesting that the experience is continuous rather than linear.
Interpretation of Key Lines: “Riffling the pages quickly, Muddling the letters” implies a hurried, almost restless engagement with text—perhaps reflecting an inner anxiety or the urgency of time. The line “Both small and great” acknowledges that literature contains both subtle nuances and grand ideas, all of which are vulnerable to being lost.
Conclusion: Altıok’s poem invites readers to reflect on how ordinary moments—sipping coffee, turning pages, feeling wind—can become profound meditations when paired with the right surroundings. It celebrates the solace found in simple pleasures while acknowledging the impermanence of thoughts and words.
More poems by Metin Altıok
Poem knowledge graph
A literary network built from the poet who wrote this poem and the words poems have in common.
Click a node to explore it; use the mouse wheel to zoom.